
Morning Bay Residence Joint Winner of Pittwater Councils Urban Design Award, New Residential 2006. Also Sustainability Merit Award.
Newsfront (As Art Director) AFI Awards, Best Production Design
Phar Lap Sydney Film Critics Awards, Best Production Design
"Laurence Eastwood belongs in the highly select company of the world’s finest film artists. He is widely regarded as Australia’s most distinguished production designer; he has received a great many AFI Award nominations for his excellent work, and in my reviews of films to which he has contributed, I have often noted the distinction he has brought to the Australian cinema." David Stratton 1992
"Emerald City, The Club and now this. (Influence) You really are the best in the business and I was very lucky to get you for this one." David Williamson
Influence "Laurence Eastwood’s salubrious set works a treat" Bryce Hallet, SMH
The Club "another of Laurence Eastwood’s handsome and detailed designs…" Bryce Hallet, SMH
West Side Story "The stage is enfolded by Larry Eastwood’s towering black, metallic construction of gangways, catwalks and zig-zagging fire stairs…….it is the West Side, a dark seething maze that is both prison and engine room. It is Mr Eastwood’s masterpiece." H G Kippax, SMH
Jack "Mr Eastwood’s setting of this difficult play is maybe his best in a career already crowded with distinctive achievements in stage design" H G Kippax, SMH "…the real star of the night is the set by Larry Eastwood" Taffy Davis, Sun Herald
The Gin Game "Larry Eastwood has designed a wonderfully solid, realistic set to give substance to the play." K. Brisbane, The Australian
The Delinquents "Technically, pic is good, with great care taken by production designer Laurence Eastwood to make the late 50’s setting as authentic as possible." David Stratton,Variety
Country Life "Production values are top drawer, notably…Laurence Eastwood’s sumptuous design…" David Stratton, Variety
Dead-End Drive In "…the delightfully scrungy production design of Larry Eastwood, film is handsome to look at." David Stratton, Variety
The Empty Beach "…Eastwood must share some of the credit for the way this film, catches Sydney’s self-consciously sophisticated notion of itself as Sin City." Neil Jillett, The Age
Behind the Scenes Belle Magazine '80
Cinemaparadiso Belle Magazine '96, Elle Decoration (worldwide) '97
Transformation, Hide & Seek Vogue Living '97
High Tide Beach Houses Australia, Jenna Reed Burns